1,836 로열티 프리 오디오 트랙들 "G String"에 대한

Crescendo demo, played without modulation. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Sound demo, played with modulation. You will hear random akkords. The registers (choires) are Viola, Violin and Trumpet. Violin (4') is the same as Viola ('), but one octave higher. Trumpet offers the effect of the brass section in an orchestra. Note: Horn is the low pass filtered version of the register Trumpet, not an additional register! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Crescendo demo, played without modulation. You will hear the registers Viola, Violin and Horn. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect.

Register Viola demo, played with modulation. You will hear every key. Viola (8') is the same as Violin (4'), but one octave lower, like Trumpet/Horn. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Listed by the w:United States Air Force Band at The Air Force Strings Music page as "Air", which might be confused with Air", but actually Air on the G String. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington, D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Performed with 7 first violins, 5 second violins, 4 violas, 3 cellos, 1 bass and 1 accordion, according to the liner notes

Ballade No. 1 in G minor, op. 23 Italiano: Ballata n° 1 in Sol minore, Opera 23

Ditonic scale on G.

Bach's "Little" Fugue in G Minor, BWV 578 performed by the saxophone section of the United States Army Field Band

Example of a passage requiring bariolage from his Principes du Violon, p.79. Timbral effect synthesized.

Monochord mit 30 gleich gestimmten Saiten (1 min 51) Monochord with 30 strings at the same pitch (1 min 51)

Kurze Demo des Farfisa Syntorchestra

Dream Chord on G, tuned 12:16:17:18. MIDI pitch bend appears to match intervals.

Artificial harmonic on D string: G', D', and B.

Akkordglissando auf der Harfe

G-sharp melodic minor scale ascending and descending.

Sonatina No. 2 in G Major - III. Allegro by Aaron Dunn

Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.

Bengali movie song from Rajdhanir Bukey. PD as per section 27 of Bangladesh Copyright Act, 2000.

6. Streichquartett, op. 18, 2. Satz String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - II. Adagio ma non troppo

Claude Debussy String Quartet (1893) second movement opening.

Excerpt from the second movement of the concerto poloniosy by Georg Philipp Telemann

G♯ natural minor scale ascending and descending.

The Huffman Prairie Winds of the United States Air Force Band of Flight perform Bach's "Little" Fugue in G Minor, BWV 578. Track 7 form Blue Skies (1993).

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

Score of Haydn (1732–1809) quartet Opus 20, No 4, movement ???. Tempo, quarter=120.

Schubert, String Quintet in C, final bars.

Excerpt from the third movement of the concerto poloniosy by Georg Philipp Telemann

Etiuda Ges-dur, op. 25 nr 9, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu.

flute concerto in g major, k. 313 - i. allegro maestoso

Guitar strings solo recording with zoom h2n. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

National anthem of Pakistan performed instrumentally by the United States Navy circa 2003.中文（简体）：巴基斯坦国歌Hrvatski: Državna himna Pakistana - Pak sarzamin shad bad

National anthem of Pakistan performed instrumentally by the United States Navy circa 2003.中文（简体）：巴基斯坦国歌Hrvatski: Državna himna Pakistana - Pak sarzamin shad bad

Beethoven: String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - IV. (Adagio) La Malinconia

Sound file of a brief passage from Mozart's Piano Sonata in G, K. 283 Third movement, starting measure 247. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

Recording of an open g-string of a fender stratocaster. Processed to remove noise.

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 30 Fugue No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 31 Prelude No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 32 Fugue No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 31 Prelude No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 29 Prelude No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 29 Prelude No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 30 Fugue No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 32 Fugue No. 16 in G minor, BWV 861

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - I. Allegro con brio